©HEATHERS production

Queer Immortality
Death Must Be a Non-Binary Viennese Person

Exhibition at QUEER MUSEUM VIENNA from 2 October 2026 to 24 January 2027

Exhibition opening: 1st October from 6:00 pm

How do we remember lives that elude our conventions of mourning?

The multimedia art exhibition Queer Immortality at QUEER MUSEUM VIENNA explores queer forms of remembrance and sheds light on different perspectives on life, death, and transience. For many queer identities, death can mean erasure or reinterpretation. Queer people may be removed from their social contexts and separated from their chosen families. Traditional rituals surrounding death and mourning often fail to reflect queer lived realities.

Artistic positions by Peter Kozek, LA GEORGETTA, Heti Prack, Siggi Sekira, and Florian Aschka present mourning as a collective experience and memory as sometimes distorted. They envision queer alternatives for funerals and burial sites that may appear disruptive and unfamiliar, but for precisely that reason are able to do justice to queer ways of life. Space, too, can be connected to loss and mourning, as activists demonstrate in their engagement with patriarchal violence and the remembrance of the destroyed St. Marx autonomous space. In Queer Immortality, Julia Fuchs explores the art depot as an in-between space of im/mortality, while Danielle Pamp approaches the (im)mortality underlying rupture and transformation.

Lesbian Vampires from Styria, Drag Queens, and Horror Films

The provocative engagement with death and (im)mortality is an essential part of queer cultural history. In the web series Just Gorgeous – Beauty for Dead People, developed by Berivan Sayici and Luis Javier Murillo and featured in the exhibition, drag queens become undertakers. In a series of performative installations by the collective HEATHERS (Veronika Hösch, Nora Jacobs & Nicole Sabella), supporting characters who are usually the first to be killed off in horror films take centre stage.

In literature and art, vampires have long stood for forbidden desire, hidden subcultures, fluid gender identities, and the rejection of social norms. The prototype of the lesbian vampire can be found in the novella Carmilla, which, incidentally, is set in Styria. In Thomas Hörl’s film F.W.M. Symphonie, her successor Nosferatu attempts to replace Friedrich Wilhelm Murnau’s stolen head.

The exhibition Queer Immortality is open from 2 October 2026 to 24 January 2027, Thursday through Sunday from 2:00 to 6:00 pm. 

Admission is free. The exhibition is accompanied by an extensive programme of educational activities and events.

Curator: Barba Stöhr | Artists: Peter Kozek, LA GEORGETTA, Heti Prack, Siggi Sekira, Florian Aschka, Danielle Pamp, Julia Fuchs, Berivan Sayici, Luis Javier Murillo, Thomas Hörl, tonx, cay, rara, ola & tomashi, HEATHERS (Veronika Hösch, Nora Jacobs & Nicole Sabella)

 

©Nora Jacobs

NACKTSCHNECKEN

@ Finissage GLUMPERT

Event

@ OK Linz

Do, 10.09.26 / 18:00-20:00

Zum Abschluss von GLUMPERT wird das Leitmotiv der Ausstellung noch einmal lebendig: die Schnecke – ein Wesen, das sich Zeit nimmt, sich normativen Kategorien entzieht und mit ihrem Haus alles mit sich trägt. Künstler und Designer Peter Fellner steht während der Finissage für Gespräche zur Verfügung.

Die partizipative Performance Nacktschnecken von Nora Jacobs lädt die Besucher:innen ein, selbst in einen handgestrickten Ganzkörperanzug zu schlüpfen und Teil der Performance zu werden. Gemeinsam entstehen langsam kriechende Körperlandschaften, die das OK neu bespielen. Die Performance lädt dazu ein, das Tempo zu drosseln, gewohnte Vorstellungen von Körper und Geschlecht zu hinterfragen und die Vielfalt der Natur als Inspiration für ein anderes Miteinander zu erleben.

Wir freuen uns auf einen inspirierenden gemeinsamen Ausklang der Ausstellung.

THU, 10th September / 6 - 8pm

As GLUMPERT comes to a close, the exhibition’s central theme comes to life once again: the snail—a creature that takes its time, defies normative categories, and carries everything with it in its shell. Artist and designer Peter Fellner will be available for conversation during the closing reception.

Nora Jacobs’ participatory performance *Nacktschnecken* invites visitors to slip into a hand-knitted full-body suit and become part of the performance. Together, they create slowly crawling landscapes of bodies that reimagine the OK space. The performance invites viewers to slow down, question familiar notions of the body and gender, and experience the diversity of nature as inspiration for a different way of being together.

We look forward to an inspiring closing event together.

 

@Wilhelm Binder

FRIENDS & FUN

GRAND CLOSING SHOW

ES49

Gruppenausstellung / group exhibition 26th September 2025